REVIEW: Katy Perry's Prismatic Tour

I'm deferring slightly from the normal topic on the blog today to have a natter about last night's visit to see the phenomenal Katy Perry at Glasgow's biggest music venue - The Hydro.

Excitement building, I made my way through the crowds of blue wigs, cat ears and glow sticks to find my level 3 seat (knowing full well when I bought the tickets it wasn't going to be the best view).  I was actually pleasantly surprised, it was by no means close to the stage but the Hydro is set out in a way that there isn't really a bad view and  is just the type of venue Glasgow needs - although they might want to look into ways on cutting down the bar queues, as waiting 10 minutes for a glass of wine ain't great!

I didn't see support act Icona Pop as I'm one of those people who have absolutely no patience so a lot of waiting around can turn me from a Jekyll to a Hyde, but the crowd seemed sufficiently hyped up so I assume they did not disappoint. After a brief DJ set the lights came down and the mother of all music concerts began. From the outset the Prismatic Tour is a treat for the senses- colourful, creative and crazy at times as Perry invites the audience into her prismatic world.

Kicking proceedings off with 'Roar', Katy covered all the songs you would expect to hear - from 'I Kissed a Girl' which she professed was an 'oldie but a goody' right up to newly released 'Birthday'. The show was split into 6 sections with Perry taking on a different persona in each, from an Egyptian princess arriving on stage via  mechanical horse to a cat elevated on a giant ball of yarn. Be prepared for the unexpected.

It's quite clear that beneath all the costumes and make up Katy is a normal, funny and genuine human being which really shone through during her acoustic set. There was a lot of opportunity to interact with the audience and her off the cuff chat was a hit.

Tridents, floating emojis and neon lycra are small parts of the unbelievably detailed staging that has gone into this tour. This is not just about the music, this is story telling and is something that I could experience again and again.

REVIEW: Wicked - UK Tour 2014

Last week Wicked flew into Glasgow for the first time to begin its sold out run with record breaking statistics. Over 53,000 tickets were sold and after seeing the show on opening night, it's clear why. 

For those of you who have been living under a rock and are unaware of the plot I'll give you a brief run-down. Wicked is the prequel to the much loved classic 'The Wizard of Oz'. The story centres around the two witches, G(a)linda and Elphaba, who at first glance could not be more different. They wind up sharing a room at Shiz University and strike up an unlikely bond - from there we are taken on a journey of love, heartbreak and everything in between. 

The casting for this tour could not be more on point. Nikki Davis Jones takes on the role of green girl Elphaba with ease. She brings a lot of spunk to the character and  belts out each song more impressively than the last. No Good Deed and the show's 11 o'clock number Defying Gravity were particularity notable. Emily Tierney excels playing the show's other female protagonist - G(a)linda. Humorous from the outset, Tierney really puts her own stamp on the coveted role and, with equally good vocals as her counterpart, these two woman make a killer team. Local boy George Ure gave a spirited performance as lovable munchkin Boq. Ure's portrayal really made you feel for his character and you could tell the audience was lapping up that Scottish accent. 

Touring productions are known for being scaled down but this was not the case with Wicked. Everything you would have expected to see from the West End set was present and correct which contributed to bringing the world of Oz alive. The costumes were almost like pieces of art, each one different with quirks that made you feel like you were in another time and place. 

I myself am no stranger to Oz, clocking up 8 London viewings, but being in my home town surrounded with excited newbies and repeat attenders alike was thirillifying, and I don't think I was alone in that thought. Although Wicked is sold out in Glasgow you can catch it on two other Scottish dates, all information can be found here. 

Review: Little Shop of Horrors

 

Little Shop of Horrors is a comedy rock musical set in the 1960s which tells the story of downtrodden Seymour who works as an assistant in Mr Mushnik's flower shop. The shop is situated on Skid Row, where the residents’ ambitions are as absent as the customers. In a last ditch attempt to drum up business Seymour displays a new exotic plant in the window and what follows is a moral journey to see just how far one man will go for fame, fortune and love.

Neil Thomas absolutely shines in the role of Seymour Krelborn. He has the likeability factor that makes you want him to succeed and are almost able to forgive him for his more questionable life choices.  Another stand out for me was Sabrina Carter's portrayal of vulnerable Audrey. Carter's cracking acting and vocals especially during 'Somewhere That's Green' really pulled at the heartstrings. Although the themes explored in Little Shop are dark, there are laughs throughout which come mostly from sadistic dentist Orin, played by Edward Reid.

The set designed by Pete Sneddon really makes the most of the space of the Websters Theatre - not too much going on but enough to keep the audiences attention. There were a couple of sound issues, but this was the opening night and it was nothing that could not be ironed out.

Little Shop is one of those cult musicals that has been around for years, and while the fashions may be dated the characters certainly aren’t. Grab your tickets for the remaining performances here:

Friday 2nd - Saturday 10th of May

Tickets £15

Cottiers Box Office - 0141-357-4000

www.cottiers.com