LITTLE SHOP INTERVIEW: Edward Reid

Rehearsals are in full swing for Insideout's Little Shop and with just a week until show time I caught up with the lovely Mr Edward Reid. Edward made a big splash when he appeared on Britain's Got Talent with his own unique spin on the classic nursery rhyme, and has been entertaining audiences ever since. His latest endeavour sees him playing controlling dentist Orin, read on to find out how the process is going -

Tell me about your character

I play Orin the sadistic dentist who dates Audrey. He's not very nice to her.

How do you prepare for this role?

Laughing a lot. I watched YouTube clips of people falling and of cats falling off TV sets etc. We do have a fascination with people in pain. My character takes it to an extreme level though. As the song in Avenue Q explains it's Schadenfreude. I also watched old clips of Elvis.

Have you ever had an 'Orin style' dental visit? 

Oh my goodness yes. I have nearly fainted in the dentist chair. I don't believe in pain. Luckily my dentist now is amazing.

What would you do if you had a plant similar to Audrey II? 

Stay away from it and sell it to the highest bidder. Let them have the hassle of finding fresh blood.

What character in the show do you identify with the most? 

Them all in some way. I do love Seymour though. My heart goes out to him. Desperate to give love and desperate to get it.

What do you think makes this cast different? 

I have worked with most of them so I know what they are like as performers. They are amazing. I'm not sure what makes them different? I think all performers can be different if given the right direction and encouragement.

Is there a particular quote or scene that stands out as a favourite for you ?

I have deliberately not watched the film or listened to the CD as I want to experience it first hand from this amazing cast so all I know are Orin's scenes. I am really looking forward to laughing in every scene I am in. 

What's your favourite song from the show and why ? 

Again I like them all but I guess Somewhere That's Green. I remember Ellen Green sing it on Hey Mr Producer and loved her innocence and vulnerability.

What are some of the challenges in staging a piece like this? 

I am not even going to start thinking about that. That stresses me out. I'll just focus on the performance.

Thanks to Edward for taking time out to answer my questions.

Little Shop of Horrors 
1st - 10th of May 2014
Tickets are £15 
Book by calling the Cottiers box office - 0141 357 4000 
or online by clicking here

LITTLE SHOP INTERVIEW: Neil Thomas

With just weeks to go before Little Shop of Horrors opens in Glasgow's Webster Theatre I caught up with a couple of the cast members to have a chat about the show. First up was Neil Thomas who is currently preparing to take on the role of Seymour:-

Tell me about your character:

Seymour Krelborn is poor and down on his luck.  He's kind, caring and works hard. He lives on Skid Row, and works in Mushnik's Florists alongside Mr Mushnik and the pretty Audrey. A little clumsy, and more than a little geeky, Seymour has feelings for Audrey, but can't pluck up the courage to tell her. But Seymour has discovered a brand new breed of plant, similar in appearance to a Venus flytrap, which he names Audrey II in honour of the subject of his affections.  Could this new plant be about to change Seymour's luck forever.....?

What drew you to the part?

It has genuinely always been my ambition to get a chance to play Seymour Krelborn.  I told Paul Harper-Swan (producer and director of this production of Little Shop of Horrors) about how much I loved this part, and this show, the very first time I ever met him.  This show is absolutely one of my favourites, and has been since I saw the fantastic movie version of it when I was younger. The music, the atmosphere and the characters really drew me in. I love Seymour's story and the journey he goes on throughout the show.  I also feel like I can easily relate to Seymour's geekiness!

How do you prepare for the role of Seymour? 

I think the important thing with playing Seymour is that, although he is of course a bit geeky and down on his luck, he's a really decent guy, and he should be "real" too.  It would be wrong to send him up, or have him prat falling and making a mess of everything.  He's not supposed to be a silly slapstick pantomime character, he needs the audience to really care about him and sympathise with him.  The audience should also believe in his feelings for Audrey and the whirlwind journey he goes on after discovering this exciting new plant, Audrey II.  I'm excited to get started on rehearsals and find out how to balance all these aspects of Seymour's character.  It'll be hard work, but great fun!

The show has been around for a long time now, what do you think makes it so popular? 

Undoubtedly it's the quality of the material.  The music by Alan Menken, and the lyrics and book by Howard Ashman, are some of the best I think musical theatre has ever produced.  There's a timeless appeal to the show, and it doesn't feel dated as it deliberately evokes that classic feel of the B-movie era.  The show is based on the 1960 non-musical film of the same name, and the ideas and characters are unique and unforgettable.  Another thing that I think helps, is that the 1986 film of this musical version is fantastically made, and so well cast.  It introduces so many people to the musical, who may then go and see a stage production of it.  The nice thing is that there are some differences between the stage version and the film version of the musical, so if you've only seen the movie before - you're in for a few surprises....!

What's your favourite song from the show and why? 

This is a really hard one to answer, as I can honestly say I feel this show has some of the best songs I've ever heard in a musical.  But, if I had to pick one, I'd go for "Feed Me (Git It)", the song from Act I sung by Seymour and Audrey II.  How can you not completely fall in love with a rock and roll duet performed by a florist's assistant and massive, hungry, soul-singing plant!

What do you hope audiences take away from the show? 

I really hope audiences have a great time, and come away totally satisfied and singing all the songs.  This material is some of the strongest the world of musical theatre has ever produced, in my opinion.  So I hope the audience have a fantastic night out and feel that we have done the show justice.  We will all work really hard to make sure they do!

Big thanks to Neil for taking some time out to answer my questions,

Little Shop of Horrors 
1st - 10th of May 2014
Tickets are £15 
Book by calling the Cottiers box office - 0141 357 4000 
or online by clicking here 

Interview: Rebecca Trehearn

style="line-height: 1.4;">Rebecca Trehearn's career is going from strength to strength. With shows like We Will Rock You, Dirty Dancing and Love Story under her belt, she is currently astounding audiences in the UK tour of Ghost. I caught up with her recently to chat all things Molly Jensen and beyond.

Your bio is really impressive and performing seems to have always been a part of your life – what in particular attracted you to theatre?
I think the idea of being someone else just really appealed to me!  Having started singing competitively so young, the attention that came with that also brought with it a degree of being picked on that kind of knocked the confidence out of me.  I was a pretty shy kid; I guess for a long time I was just more comfortable in someone else's skin than in my own.  Having a character to hide behind felt safer!

Is there anyone specific within the industry you would love to collaborate with?

I've been fortunate to have worked with some amazing directors, writers and performers over the last few years, so it's difficult to single someone out!  I think it's more a case of dream venues for me at the moment.  I'd love to work at the National or the Donmar and having done a gig at Birdland in New York last year, would also love to work in the States again.

You were fabulous as understudy Molly in the West End production.  How different is it to be playing the role full time now?

One of the biggest differences is having to find a new way to pace yourself, I suppose.  As an understudy you go for your life, knowing that you're unlikely to get much more than a couple of weeks on at a time.  Playing a role like this long term, I've had to learn not to be quite so hard on myself!  The biggest joy though, has been getting to experience a proper rehearsal process and really explore the character and her relationships with Sam, Carl and Oda Mae, in a way you simply don't get the opportunity to do as a cover.  I think I feel a sense of ownership of these relationships now that I didn't when I was having to slot into someone else's process at short notice.

What can people expect from the show?

An incredible spectacle, illusions that will blow you away, amazing choreography, gorgeous songs, plenty of laugh out loud moments and more than anything else, huge heart.  Bring your tissues!

Ghost is obviously a very intense and demanding show, what do you do to stay motivated and keep the role of Molly fresh?

I think the fact that we're touring helps.  Having to get used to a new venue every few weeks keeps you on your toes, you really can't afford to hit auto pilot, ever!  It's also a testament to both the writing and my co-stars that the idea of keeping the show fresh has never felt like an issue to me.  I have so much fun bouncing off of Stewart, David and Wendy every night and the writing is so strong, that I can't help but be completely swept along by Molly's journey every night.

Being part of a touring cast you get to visit a lot of cities. Do you get any down time to experience them? If so what's been your favourite city so far?

Yeah, there's always some time to explore!  So far, I'd say Edinburgh has been my favourite city.  It's just so beautiful there, the architecture is incredible.  I had a list as long as my arm of things I didn't get round to doing, sadly!

Aside from Ghost what's your favourite production at the moment?

I'd say Once.  I saw it on Broadway and in the West End and I just love it, it's a stunning piece of theatre.  Dream job!

What's next for you ?

I've got a couple of gigs coming up in London soon; beyond Ghost, who knows...?!

Huge thanks to Rebecca for taking time out of her busy schedule to answer my questions. 

Be sure to catch Ghost as it tours the country-  venues, dates and ticket information can be found here.